I've been playing bass guitar since I was 15, spurred on by a few local musicians, Miller Anderson and Tam Harvey where early influences and Martin from Shoreham who originated the balloon dance (on OTT in the middle ) and gave us our first ever gig . . . .at Shoreham Airport in his superb 'Shoreham Casual Cabaret'
another of his brilliant sketches was the skinhead can-can! I've no idea what happened to him, but hopefully he's still around, he gave me the encouragement to get started, and taught me Green onions on his Fender Precision!
My first band, Under the Floorboards . . . we used to rehearse in the basement
L-R, me, Richard Woodall, Dominic Beresford, Adrian Worman and Oliver Clark must be 1986

After UTF stagnated I started The Shoreham Beach Experience with Hugh Johnson, Efrem Brynin and Adrian again on drums . . .Feb 1990, We're planning to get together soon . . . . . it will be our 20th anniversary in 2010!

the band, professional to the core! Adur rec 1989

After SBE I was briefly in a few covers band and did sound for a few bands then after reading an Ad in Melody maker I joined Elysium in October 1992
1993 . . . Chris Plack, me, Tabatha Predovich

Elysium dissolved when Tabatha returned to the US . . . not before we'd made and released an EP
Behaviour, recorded and produced by ourselves, my first experience of a proper studio.
Thereafter in January 1994 I formed Moloko Plus with Raal Harris, along with Mick Long from Raals previous band the Amorphous Cage, we auditioned and recruited Martin Smith on drums, and later invited Dan Flack on Keyboards to join us, a great band was emerging but sadly never quite realised the potential I thought it had. Taking it a bit too seriously at times probably didn't help, and the less said about management the better!

We did sign a record deal, of sorts, recorded and released a few singles and went on tour, got on MTV, so we did have some success and a bloody good laugh as well. (although I'm scared to watch the videos these days!)

Famous Honey, our first single, as above, recorded and produced by Colin Fairley
It got slated in MM as being 'Ocean colour scene rip off' , perhaps with brass it would have been slated as being a Dexys rip off, at least it would have shown the journalist up as have no taste as well as no ear! Its funny now, but mattered then, I guess it marked a bit of turning point, I think we stopped enjoying ourselves and getting better at what we did naturally, and somehow started trying too hard to achieve some recognition or success ultimately became more of a chore than the fun it had been.
The band ended 1997 with a UK tour, and a split with our manager which gave us a great chance to refocus, keep our heads down over winter and re-emerged all the better. The record company then going bust, didn't help much, but theirs wasn't the only offer we'd had so it didn't bother me overly. I guess now the digital age has taken over it would matter even less.
Unfortunately for various personal reasons we as a band split up soon after, so we never gave ourselves the chance to regroup, It was hard for us all as trying to work and pay bills was impossible with our musical commitments and mortgages/rent don't pay themselves.
I'm not sure what all of the rest of the guys are doing now, I'm just playing for the sheer fun of it, Raal has a great band called Deadbeat Descendants but I haven't heard from any of the other guys in years.
lets face it, there's some very successful but utterly woeful bands out there and we weren't too shabby on our day, so who knows what might have been. Having said that I can't say I miss any of the industry side of things.